Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Tuesday, December 20, 2011

Aye Nako: smile inducing pop-punk

Joe, Angie, Mars- Aye Nako
Band: Aye Nako
Location: Brooklyn, NY
Website: www.ayenako.com
Recommended If You Like: The Weakerthans, Discount, Cheap Girls
Good pop-punk doesn't get boring. Brooklyn-based 3-piece Aye Nako achieve this goodness with all of their songs - that's no small feat. Aye Nako is a smile inducing, boppy, poppy-punk band that makes my heart feel good. At their shows you can find me dancing, singing along, air drumming, two-stepping, and some other sort of dorky, improvised movement. How can I not smile when this band reminds me of Cheap Girls and Element 101?

Like Krista Ciminera of Zombie Dogs said in her review of Aye Nako, the bands lyrics are sad, serious, and sweet, all at the same time. In this respect, it's easy to solely think the band is sweet just because the music sounds that way. It's easy to get distracted by the feel good vibe of their music. The band has been playing a few new songs live at their recent shows at Death By Audio, which seem pretty serious. Singer Mars has introduced some of the songs as being about growing up queer, growing up with an abusive brother, and dreaming about being a gay man.  Deep subjects to bring up. It makes me excited to hear their new songs live now, so I can pay better attention to the lyrics.

The band's signature song is “Molasses," from their demo tape. Every time I hear it I can't help but sing along. It's a cute little love song that's super catchy. It's always fun hearing “Molasses” live when the line, “slow like molasses slow,” comes up and a group of us sing along with all the enthusiasm we have, grin on our faces, with our arms huddled around each others shoulders.

Then, there's the standout one-minute long hardcore song called “Good Grief,” with its angry lyrical tone. It seems like a random song for a pop-punk band but it works. The aggressively fast punk styled hardcore tune matches perfectly.

The third song I enjoy from them is an older song called "Curb Appeal," that the band released under the name Fleabag without drummer Angie. I can whistle along to this song, I can dance to this song, and darn it, this is just a good song to put on a mix for a crush. The demo this song is on is worth listening to.

When I saw Aye Nako at the Queers, Beers, and Reers party at Public Assembly in September, the song moved me so much that I started two-stepping. I didn't care if I was the only one doing so (in my work clothes) -  those around me gave me dance room. See, I used to care what people thought when I danced but Aye Nako is one of the few bands I can honestly say makes me feel good when I see them live and takes away any hint of embarrassment I might otherwise have had. It's fun music and it's music that I'll move to in any which way I want. No one can tell me how I can dance and I don't feel like I can't when I see them. In the past people have told me not to headbang to Kimya Dawson or jump during Modern Life is War and I got totally bummed. But no one can tell me how I can express myself at a show and if there's one thing I can say about Aye Nako, it's that their shows are generally filled with folks just like myself who simply love the band and want to have a good time. That's my kind of show and that's partly what has me coming back to their shows. Another reason is because Aye Nako plays with good bands, usually ones I know but also some I don't, which is a good balanced show in my book.

This year I've seen Aye Nako seven times – a number I'm fortunate enough to have made. I've seen them play with Dead Dog, Hot Mess, Songs for Moms, Dead Ringer, Sleepies, Worriers, RVIVR, Claire's Diary and most recently P.S. Eliot and The Two Funerals. It's been fun following the band around in their hometown of Brooklyn.

Tuesday, January 6, 2009

Vivian Girls/Screaming Females/Mirrors & Wires played Court Tavern, NJ 1/4/09, Tour Dates

photos by thepiratehat



















The show was supposed to happen at the Loft, but ended up being at the Court Tavern, which was a better choice, even though the minors couldn’t get in, because the sound was better and I could see the bands. It was an exciting night with friends and one of mine was witnessing his second show ever.

Mirrors and Wires, from New Brunswick played first. They were a four piece instrumental horror punk rock band. What was interesting about this band was they had a theremin player. According to Wikipedia, it’s “an early electronic musical instrument controlled without contact from the player.” From what I saw it looked like an instrument that created sound without touching the instrument by making a motion in the air near the instrument. It was interesting. Pretty groovy.

Screaming Females, the trio garage punk rock n roll extraordinaires played a healthy dose of groovy tunes that entertained me and my friend, along with a room full of people. It was nice to see the band in a club setting, as opposed to in a house, where the sound is often off, the vocals are low and unclear, and when it’s packed hard to see the band. I felt like just the front row was rocking out. The band played so many new songs and ones I didn’t recognize, except was previous shows. However, it wasn’t hard getting into the songs. The last song, “Reggae” was a really good song. I’m excited for the new album, "Power Move." I grabbed the setlist at the end.



I picked up the band’s 2008 live cd-r and also a tape with lead singer Marissa’s solo music. I also got a pin.

None of my friends, except Steve were excited for Vivian Girls. It was kinda funny. However, Vivian Girls played their best performance at this show of the three times I’ve seen them. While they didn’t have the most energetic live set or have something in their set to actually captivate, they played well and entertained with some funny comments. “Tell the World” was their single and they played it so well. I rocked out.

Mirrors and Wires has one upcoming show in their hometown, while Screaming Females and Vivian Girls will be touring with big names, Throwing Muses and M. Ward. Tour dates below.












































Mirrors and Wires Tour Dates:

1/ 18 @ Death Valley, New Brunswick, NJ w/ Bagger Vance, Color Change, and Silent Way

Screaming Females Tour Dates:

NY/NJ/PA:
1/ 16 @ The Parlor, New Brunswick, NJ w/ The Sass Dragons and Slaw
1/23 @ Don Pedro’s, Brooklyn, NY w/ Shellshag, Cheeky, Emergency Party, Bonezone
2/7 @ Maxwell’s, Hoboken, NJ (SF Headlining) Don Giovanni Showcase w/ For Science (last show), The Measure [SA], Cheeky, Groucho Marxists, Pregnant, and The Steinways
2/19 @ Don Pedro’s, Brooklyn, NY
2/20 @ Haverford Free Library, Haverford, PA
2/27 @ TBA, New Brunswick, NJ w/ Liquid Limbs

Tour with Throwing Muses and 50FOOTWAVE
3/10 @ World Cafe Live, Philadelphia, PA
3/12 @ Music Hall of Williamsburg, Brooklyn, NY
3/14 @ Middle East Downstairs, Cambridge, MA

Vivian Girls Tour Dates:

1/11 @ Kidrockers at the Living Room (for kids), NY, NY
1/14 @ Maxwell’s, Hoboken, NJ w/ Titus Andronicus & Spider Bags
1/20 @ Danbro Warehouse, Brooklyn, NY w/ Fucked Up, Pissed Jeans, and more

2/6 @ 4AD Muziekclub, Diksmuide, Belgium w/ Crystal Antlers
2/7 @ RoTown, Rottedam, Netherlands
2/8 @ Paradiso, Amsterdam, Netherlands
2/9 @ Trix, Antwerp, Belgium
2/10 @ Triniaires, Metz, France
2/11 @ La Laiterie, Strasbourg, France
2/12 @ Woodstock Boogie Bar, Limoges, France
2/13 @ Point Ephemere, Paris, France
2/14 @ Proud Galleries, London, UK
2/15 @ Carling Academy Islington, London, UK with Black Lips

Tour with M. Ward:
2/19 @ The Apollo Theatre, NY, NY
2/20 @ Trocadero, Philadelphia, PA
2/21 @ Sixth & I Historic Synagogue, Washington, DC

Friday, July 18, 2008

mewithoutYou @ Maxwell’s, Hoboken, NJ 7/18/08

Maps & Atlases, an experimental 5-piece rock band from Chicago, IL that while great to listen to in my room, wasn’t too pleasant live. The instrumentation was superb, but not enthralling. Fans in the front of the stage seemed to be enjoying the set. The groups played songs off its EP, “Tree, Swallows, Houses.” It was fun watching the drummer play all over the place. I couldn’t hear the vocalist’s lyrics and he said “thank you” to often like he didn’t have anything good to say. The band hit the road with RX Bandits and Portugal.The Man at the end of the month.

mewithoutYou came on stage at 8:32pm and performed a 16-song set that included a mix of songs from “Brother, Sister,” “Catch for Us the Foxes,” and three new songs. The set seemed rushed, Aaron only spoke about two times and there wasn’t much band-to-crowd interaction. It was fun watching Aaron’s movements and facial expressions and the drummer in particular.


The highlights for me were “C-Minor,” “O Porcupine,” and “January 1979,” The last song in their set, was a new song. I thought it was interesting to close with a track that was unfamiliar to fans, but it was pulled off nicely. There was a lot of instrumentation in the song and it was a heavier song. I remember the words, radiated so well from Aaron's voice: “Everywhere we look it’s all crazy, it’s all dreams, everywhere we look." Another line went, "the life I have been livin’ will be forgiven.”

mewithoutYou- Maxwell’s 7/18 Setlist
Paper Hanger
Yellow Spider
A Glass Can Only Spill What It Contains
Leaf
David (new)
4 Word Letter (Pt. Two)
Orange Spider
C-Minor
Swan Dive (new)
O’ Porcupine
Son of a Widow
Brownish Spider
In a Sweater Poorly Knit

Encore:
January 1979
New Song